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I’m sure you’ve all clicked on a video thumbnail from to see water floating in the air when popping a water balloon or other super cool-looking “slow-mos” made with extremely expensive cameras. Now, we are lucky enough to be able to do something not really comparable but still quite cool with our phones. What if you could reach the same quality without such an expensive setup?
Well, that’s exactly what Time Lens, a new model published by Tulyakov et al. can do with extreme precision.
Just look at that video, the results are amazing! It generated slow-motion videos of over 900 frames per second out of videos of only 50 FPS!
This is possible by guessing what the frames in-between the real frames could look like, and it is an incredibly challenging task.
Learn more in the video and check out the crazy results.
The full article:
Official code:
Stepan Tulyakov*, Daniel Gehrig*, Stamatios Georgoulis, Julius Erbach, Mathias Gehrig, Yuanyou Li, Davide Scaramuzza, TimeLens: Event-based Video Frame Interpolation, IEEE Conference on Computer Vision and Pattern Recognition (CVPR), Nashville, 2021,
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i'm sure you've all clicked on a video
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thumbnail from the slo-mo guys to see
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the water floating in the air when
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popping a water balloon or any other
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super cool looking slo-mo they made with
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extremely expensive cameras now we are
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lucky enough to be able to do something
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not really comparable but still quite
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cool with our phones what if you could
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reach the same quality without such an
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expensive setup well that's exactly what
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time lens a new model published by
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tuliakov it all can do with extreme
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precision just look at that it generated
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a slow motion videos of over 900 frames
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per second out of videos of only 50
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frames per second this is possible by
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guessing what the frames in between the
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real frames could look like and it's an
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incredibly challenging task instead of
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attacking it with the classical idea of
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using the optical flow of the videos to
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guess the movement of the particles they
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used a simple setup with two cameras and
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one of them is very particular by the
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way if you work in the ai field and want
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to have your models online running on
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web apps i'm sure you will love the
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sponsor of this video ubs stick until
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the end to learn more about them and how
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they can be quite handy for you let's
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get back to the paper the first camera
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is the basic camera recording the rgb
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frames as you know them the second one
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on the other hand is an event camera
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this kind of camera uses novel sensors
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that only reports the pixel intensity
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changes instead of the current pixel
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intensities which a regular camera does
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and it looks just like this this camera
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provides information in between the
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regular frames due to the compressed
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representation of the information they
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report compared to regular images this
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is because the camera reports only
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information regarding the pixels that
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changed and in a lower resolution making
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it much easier to record at a higher
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rate making it a high temporal
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resolution camera but low definition you
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can see this as sacrificing the quality
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of the images it captures in exchange
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for more images fortunately this lack of
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image quality is fixed by using the
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other frame based camera which we will
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see in a few seconds time lens leverages
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these two types of cameras the frame and
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the event cameras using machine learning
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to maximize these two cameras type of
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information and better reconstruct what
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actually happened between those frames
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something that even our eyes cannot see
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in fact it achieved results that our
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intelligent phones and no other models
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could reach before here's how they
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achieve that as you know we start with
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the typical frame which comes from the
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regular camera with something between 20
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and 60 frames per second this cannot do
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much as you need much more frames in a
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second to achieve a slow motion effect
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like this one more precisely to look
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interesting you need at least 300 frames
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per second which means that we have 300
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images for only one second of video
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footage but how can we go from 20 or so
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frames to 300 we cannot create the
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missing frames this is just too little
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information to interpolate from well we
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use the event based camera which
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contains much more time-wise information
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than the frames as you can see here it
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basically contains incomplete frames in
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between the real frames but they are
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just informative enough to help us
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understand the movement of the particles
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and still grasp the overall image using
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the real frames around them the events
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and frame information are both sent into
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two modules to train and interpolate the
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in-between frames we need the warping
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based interpolation and the
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interpolation by synthesis modules this
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warping module is the main tool to
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estimate the motion from events instead
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of the frames like the synthesis module
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does it takes the frames and events and
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translates them into optical flow
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representation using a classic u-net
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shaped network this network simply takes
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images as inputs encodes them and then
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decodes them into a new representation
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this is possible because the model is
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trained to achieve this task on huge
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data sets as you may know i already
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covered similar architectures numerous
04:13
times on my channel which you can find
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with various applications for more
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details but in short you can see it as
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an image to image translation tool that
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just changes the style of the image
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which in this case takes the events and
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finds an optimal optic flow
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representation for it to create a new
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frame for each event it basically
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translates an event image into a real
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frame by trying to understand what's
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happening in the image with the optical
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flow if you are not familiar with
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optical flow i'd strongly recommend
04:43
watching my video covering a great paper
04:45
about it that was published at the same
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conference a year ago the interpolation
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by synthesis module is quite
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straightforward it is used because it
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can handle new objects appearing between
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frames and changes in lighting like the
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water reflection shown here
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this is due to the fact that it uses a
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similar u-net shaped network to
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understand the frames with the events to
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generate a new fictional frame in this
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case the unit takes the events in
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between two frames and generates a new
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possible frame for each event directly
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instead of going through the optical
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flow the main drawback here is that
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noise may appear due to the lack of
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information regarding the movement in
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the image which is where the other
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module helps then the first module is
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refined using even more information from
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the interpolation synthesis i just
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covered it basically extracts the most
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valuable information about these two
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generated frames of the same event to
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refine the warped representation and
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generate a third version of each event
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using a unit network again finally these
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three frame candidates are sent into an
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attention-based averaging module this
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last module simply takes these three
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newly generated frames and combines them
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into a final frame which will take only
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the best parts of all three possible
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representation which is also learned by
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training the network to achieve that if
06:11
you are not familiar with the concept of
06:13
attention i'd strongly recommend
06:15
watching the video i made covering how
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it works with images you now have a high
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definition frame for the first event in
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between your frames and just need to
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repeat this process for all the events
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given by your event camera and voila
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this is how you can create amazing
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looking and realistic slow motion videos
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using artificial intelligence if you
06:37
watch until now and enjoy this paper
06:39
overview i'm sure you are more than
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thanks to you for watching it until the
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